
Atmospherically drenched in psychotropic ennui, the first few tracks titillate and draw the listener further into an eerie and anxious setting. Influences of the aforementioned Knife collaboration seep in and out, but fail to penetrate the core of this project. I feel her presence upon relistenings of Silent Shout, and it's interesting clamoring through an artists solo work to determine exactly what he or she brings to the table.
While the album fails to disappoint even the truest of blue fans, I can't help but find a monotony

Where this album wins out is the inherent Gothic undertones, the nightmare dreamscapes, and the lucid dream tones this release perpetuates throughout. The flow is constant, and nothing seems out of place. The masterful use of soundstage found in The Knife's - Silent Shout is minimal at best on this solo effort, but few albums do such a good job taking full advantage of my home audio setup that costs more than I'd like to admit. The mastering is adequate, but most of the tricks suffer from overexposure.
This may be easily one of the best releases to come out of the 1st quarter of '09, and is well worth the purchase in any of it's digital formats.
What are you, Goth now?
ReplyDeleteI should probably give this album a real listen before I speak on it, huh? Though, it didn't sound bad from the few quick listens I have given it.
Oh, and you suck. You shouldn't have left early because you missed the f'n best rendition of Some Say the Devil is Dead that bar has produced yet. The crowd was so into it that John was climbing on tables and nearly sticking his fist into a ceiling fan.
If only I had a video phone...